Peacemaker (2022)

Though Vigilante is salvageable, PCMR is a cringefest from opening dance credits: bad of Gunnism, distilled on the comprehensively-worst character of 2021’s Squad; toilet bowl crown, desperate forced meta, goofy cheese, DC condescension. 3.2/10.

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Annette (2021)

Though its powerful iconographic fantasia of strikingly hyper-manicured Caraxian shots galvanize the eye, a hypnagogic rock-opera of experimentalism in purgatory ~drowning a godly cast of Driver & Cotillard-led indie finesse in minor-keys. 7.5/10.

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Loki (2021)

A sybaritic time-travel mystery enigma w. identity, ego, hedonism, megalomaniacal themes, religion allegory, genre diversifcation, rich audiovisual panache, multiverse twist narrative: a synergized apotheosis of the MCU & eponymous trickster. 8.7/10.

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