Parasite (2019)

A masterpiece of socioeconomic classism discourse, parabolic cinematography, home invasion, black comedy, cultural themes, and poverty that transcends genres & perplexes long after credits roll, B.J.H.’s Parasite is the Best Film Of 2010’s. 9.8/10.

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The Assassination of Gianni Versace: An American Crime Story

Extravagant in operatic, Greek-tragedy like scoring and scale, powerful in top-notch Emmy-caliber performances spearheaded by Darren Criss, stunning in cinematography, & intriguing in plot structure + multi-layered symbolism. 9.7/10.

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Roma (2018)

Gorgeously filmed in auteur vintage black-and-white with cultural vibrancy & a powerful elegiac critique of 1970’s Mexico turmoil on a personal Cuarón-curated semi-autobiographical scale, Roma is one of the decade’s greatest films. 9.7/10.

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Atlanta (2016)

Avant-garde, sardonic, exquisitely-detailed, & strikingly-authentic as pure black comedy with heart-on-its-sleeve, racial exposition, and [real-world] perspective on ATL’s rap scene: love-letter to eponymous city & piéta of CG’s outré genius. 9.4/10.

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Get Out (2017)

An innovative & original breath of fresh air for the Horror genre, Get Out analyzes racial dynamics and psychological/body horror in a thrilling, thought-provoking, visceral way – while establishing Peele as a new directorial talent to watch. 9.1/10.

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