A magnum opus proclamation returning to sci-gen roots: kubrickian IQ, hardcoded existential wonders, epic-scale visuals, galactic mystery, prognosticable futurism, and pago-agnosticism – even if the project deserved > on cast & resources. 8.7/10.
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Category: Science-Fiction
Prey (2022)
The Best Film Of Predator Frnchise; flips 3x-red dot focus: self-de/reconstruction, real-world primal hunt synergy, dark indie flvr, fem|colonialism allegory, [of chief importance] celebration of native/indigenous tribes led by neo-Ripley x S.C. 9.3/10.
[category:actionadventure/science-fiction/horror/survival,date:2022-08-07,rate:9.3,type:movies]
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Andor+ (2022)
A Complete 180 To Nostalgia-Panderative 2010’s Blockbuster Trends, D/SW Boldly Experiments – A TV Prequel To Everything Sans The Solos Or Skywalkers… A Bold, Mature, Deft, Grounded Sci-Adv. [*Impossibly*] Adding New To OG Trilogy. 9.2/10.
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Nope (2022)
Peele’s [by far] most entertaining project is a batsh*t crazy horror x sci-fi x western x Golden-Age Hollywood x 21st C. blockbuster nightmare w. epic scale, Gen. Z x SM clout(/d) chase toxicity, & crux Black/POC allegory: The Invasion! Of White. 9.1/10.
[category:horror/science-fiction/western/actionadventure,date:2022-07-20,rate:9.1,type:movies]
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Thor: Love And Thunder (2022)
Despite Guns N’ Roses Trailer, KV, & Nathalie’s Physique, L/T: quite plausibly most completely unnecessary blockbuster, even for MCU; dumbed-down, giggly snooze pimping Ragnarok, humbling Taika, proving Scorsese right 10x. Shame,.. Bale. 4/10.
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Everything, Everywhere,.. All At Once (2022)
The Most Hypercreative Project To Be Released At Cinemas In Eons, The Daniels’ x A24’s 10+ Year Ev. Bagel: Dada Absurdism, A+ Comedy-Drama, Martial Arts, Nihilism, Existentialism, API Identity, Sci-Fantasy, Immig. Experience, Ofc: Multiverse. 9.6/10.
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Strawberry Mansion (2022)
A hyperimaginative time/space-bending fantasia dreamscape & new cult-classic contrastively juxtaposing the ethereal freedom, limitlessness, mystery, euphoria, life of imagination w. etiolate, grayscale euthanization of govt. & capitalism. 9.5/10.
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The Adam Project (2022)
Beautifully-locationed in VC wilderness with solid FX & action scenes, but a bland, schmaltzy, forgettable, tired screwball Netflix-signature rehash of ~every ’80’s sci-fi film of public conscience w. a woefully-miscast ensemble led by genre-ill R.R. 4/10.
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Jurassic World: Dominion (2022)
The Conclusion To The Jurassic Era Works As ~Totalitarian Experience: A Wild BCE Reversal Of Apex Predation & Postapocalyptica W. A+ Fandom-Service & Full-Circle, Only T-Rex’d By Growing [MCU-Blamable] Exhaustion Of Legacy/Team Prjs. 7.9/10.
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Kimi (2022)
Zoë Kravitz is spellbinding in a visceral, white-knuckle, startlingly-prognosticable, hyperbolic cat-and-mouse game drenched in atmospheric paranoia, corporate assassin thrills, mental health, post-covid conspiracy; even if ~amuse-bouche. 8/10.
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