Wandavision+ (2021)

The best MCU project & type of avant-garde innovation we’ve craved by Marvel for 10+ years beyond blockbuster formula, WV+: boldly-stylized CBM-mystery/sci-fi/ comedy/romance/horror/fntsy of ignis ftis, phantasmagoria, TV-nostalgia. 9.4/10.

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Tenet (2020)

A cerebral evolution of the spy-thriller from the Da Vincian-imagination of Nolan, TENET is a time-distortion of remarkable metaphysical aspiration – w/a proficient JDW performance, chef d’oeuvre Zimmer-Göransson score, aciculate reparté. 9/10.

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Star Wars: The Rise Of Skywalker (Ep. IX)

A course-correction after the trainwreck of Last Jedi that retcons ~all its sacrilege, *embracing* series lore instead of erasing it – with fan service abounds, viscerality in pacing, & best cinematography of SW-history – but overstuffed narrative. 7.5/10.

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2001: A Space Odyssey (1968)

A prismatic journey through the stars and events of galaxy history w. bold, complex, Da Vincian questions on the nature & mystery of mankind, God, machines, space, & civilization, Kubrick’s ’01: pure IQ & science-fiction. The #2 Film Of All-Time. 10/10.

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Netflix’s Love, Death, Robots (2019)

A visually-breathtaking collection of (genre-diverse, cyberpunk-ish) short films with effectively esoteric, facetious, mature, & socially contemplative sci-fi flair, Netflix’s Love/Death/Robots is a quantum leap for their new-indie catalog. 8.9/10.

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