Wandavision+ (2021)

The best MCU project & type of avant-garde innovation we’ve craved by Marvel for 10+ years beyond blockbuster formula, WV+: boldly-stylized CBM-mystery/sci-fi/ comedy/romance/horror/fntsy of ignis ftis, phantasmagoria, TV-nostalgia. 9.4/10.
[category:actionadventure/comedyromance/comic-book-movies-tv/experimental/horror/mystery/psychological/science-fiction/time-travel,date:2021-01-02,rate:9.4,type:tvshows]
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Tenet (2020)

A cerebral evolution of the spy-thriller from the Da Vincian-imagination of Nolan, TENET is a time-distortion of remarkable metaphysical aspiration – w/a proficient JDW performance, chef d’oeuvre Zimmer-Göransson score, aciculate reparté. 9/10.
[category:drama/actionadventure/time-travel/spy-futurism/cyberpunk/film-noir/crime-films/experimental/mystery/science-fiction,date:2020-03-01,rate:9,type:movies]
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Star Wars: The Rise Of Skywalker (Ep. IX)

A course-correction after the trainwreck of Last Jedi that retcons ~all its sacrilege, *embracing* series lore instead of erasing it – with fan service abounds, viscerality in pacing, & best cinematography of SW-history – but overstuffed narrative. 7.5/10.
[category:actionadventure/science-fiction/fantasy,date:2019-12-24,rate:7.5,type:movies]
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Netflix’s Love, Death, Robots (2019)

A visually-breathtaking collection of (genre-diverse, cyberpunk-ish) short films with effectively esoteric, facetious, mature, & socially contemplative sci-fi flair, Netflix’s Love/Death/Robots is a quantum leap for their new-indie catalog. 8.9/10.
[category:science-fiction/animation/cyberpunk/apocalyptica,date:2019-06-10,rate:8.9,type:tvshows]
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