Wandavision+ (2021)

The best MCU project & type of avant-garde innovation we’ve craved by Marvel for 10+ years beyond blockbuster formula, WV+: boldly-stylized CBM-mystery/sci-fi/ comedy/romance/horror/fntsy of ignis ftis, phantasmagoria, TV-nostalgia. 9.7/10.

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Tenet (2020)

A cerebral evolution of the spy-thriller from the Da Vincian-imagination of Nolan, TENET is a time-distortion of remarkable metaphysical aspiration – w/a proficient JDW performance, chef d’oeuvre Zimmer-Göransson score, aciculate reparté. 9/10.

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Avengers: Endgame (2019)

The end of an era, A.E.: a mixed finale to The Infinity Saga; not-dark-enough tone & franchise blockbuster retcon of ~any stakes/casualties, but epic scale, mjr fandom service, gravitas, one of craziest final act experiences in blockbuster history. 7.5/10.

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12 Monkeys (2015)

A high production-value modern TV series from Syfy that – despite bold risks that sometimes pay off and sometimes don’t with a decent cast – ironically plays down the science-fiction and kooky charms of the beloved time-travel original. 7.8/10.

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Meet The Robinsons (2007)

A beautifully-animated and clever scientific showcase of hyper-imaginative future worldbuilding with shockingly-advanced themes, depth, & characterization for this comparatively-indie a D23 title, MTR is a welcome [& immersive] surprise. 7.8/10.

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Pokémon: 4Ever (2003)

Despite a bad dub name-choice, epilogue, ~choppy VFX, and [predictable] clichés, 4E is a rustic, quiescent old-world fantasy myth/folk aestheticized ocarina hymn to nature & time w two of Greatest Pokémon Ever Created: Celebi and Sucune. 7.2/10.

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