Men (2022)

The fact a calumniatory, prejudiced horror movie titled ‘Men’ can even be made/released while no accompanying film called ‘Women’ or *any* other demographic in the world [c/w]ould is the shining exemplification of ‘woke’ hypocrisy & the misandry, sophism, casuistry, privilege, counterproductivity, generalization, agenda, and discrimination offensively classifying itself as modern ‘feminism’ – the ‘Blue Eyes Brown Eyes’ psychology experiment in real-life; one released at the worst possible time in the Amber Heard trial and only fueling division & male dysmorphia, hatred, and our disproportionately-higher suicide crisis. Oh, and the movie sucks too: a rough, superficial, plotless, illogical, shock-reliant, pretentious, weird > substance exercise in cinematic excruciation muddling biblical iconography and ouroboric theme/aesthetic potential to make us question: is Alex Garland a hack? 0/10.

Plot Synopsis: In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. However, someone or something from the surrounding woods appears to be stalking her. What begins as simmering dread soon becomes a fully formed nightmare, inhabited by her darkest memories and fears.

Full Review Delayed [Personal Crisis]